Devgandharva Pt. Bhaskarbua Bakhale
Classical singer renowned for his dedication to the art during the 19th century and whose fame spread in whole of India (right up to Sind Punjab).
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Owing to his sacrifice and service to the art he was highly successful during a time period considered very difficult in the field of education.
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An ideal master in learning and discipleship. A teacher who stamped his class through resplendent disciples such as Master Krishnarao and Balgandharva.
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Ushered in a new era in marathi theatrical music by giving it a new life.
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Spirituality personified with modesty, decency, harmony and perfection.
An artist who achieved incredible performance owing to his phenomenal dedication at an age of barely 52.
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A musical maestro whose singing was articulated by the vibrancy in his notes, the true form of the ragas and the elegance of the rhythms in his performances.
The Origin & Ethos
Pulsating through the universe… singing the language of the heart.... reaching out to the soul. The magic of music has been timeless.
Enriching this ancient classical art through its immense potential and possibilities was Indian Classical Music, encompassing the whole gamut of various forms through its rich tenor and timber.
Completely dedicated to music, the Samaj had concrete goals along with an unequivocal passion under the able guidance of veterans like Dr.G. K. Gadre and the great literature N. C. (Tatyasaheb) Khadilkar.
The Pillars & Mentors
Headed by none other than the virtuoso of Indian Classical Music, Pt. Bhaskarbua Bakhale, the Samaj thrived under the secretary ship of the renowned harmonium artist Govindrao Tembe. In spite of a team of professional and efficient teachers, the Samaj had to face many financial hardships.
After the Kirloskar Natak Mandali reneged from its supportive role, the Samaj was renamed as 'Bharat Gayan Samaj'. Selfless artists like Master Krishna, Shri. Govindrao Tembe, Shankarbhaiyya Gurav and Balagandharva - the legendary artist from the Marathi Musical Theatre, performed through Bombay Province without accepting any remuneration.
Later, 'Pune Gayan Samaj' another organisation of Indian Classical Music founded on 3rd October 1874 was merged in the 'Bharat Gayan Samaj'.
The Mission & the Mantle
Since its inception, the Samaj has been instrumental in helping the Indian audiences to develop a liking and appreciation of the inner and outer beauty of the spirit of Indian Classical Music, its technicalities and creative, spiritual appeal.
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The past 110 years stand as a testimony to this spectacular achievement.
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Taking the endeavour of many veterans like Shankarbua Ashtekar, Late Master Krishnarao Phulambrikar et al ahead, today, the Samaj has its own academy imparting training in Indian Classical Music, (Vocal & Instrumental). Bharatnatyam examinations conducted by the Mahavidyalaya are recognised by the Government of Maharashtra and as equivalent to Bachelors' and Masters' degree in Art.
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Thanks to our donors, the Samaj takes great pride in organising musical concerts free of charge in honour of the late artists.
The objectives were varied yet steadfastly focussed at nurturing Indian Classical Music and inculcating the same in all its students and music lovers.
The objectives were as follows :
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To impart advanced training in Indian Classical Music to professional artists besides conducting coaching classes of Instrumental Classical Music.
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To organize musical concerts of renowned artists from all over India and to develop a refined taste for Indian Classical Music amongst the elite.
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To publish research works of ancient and contemporary scholars of Indian Classical Music.
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To manufacture musical instruments based on the pure scientific Indian scales of notes.